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Posted

I usually use thin lauan (plywood) as a backer for my scroll work. The backer is usually painted black

to give a background color. The color is not always black, just mostly.

I recently saw an advertisement for a "Peel and Stick" wallpaper and thought that it might be nice to

use the  Peel and Stick  instead of paint on the lauan. Maybe even contact paper.

Do you glue a backer on some of your scroll work and do you paint it or do something else?

Maybe something outdoorsy for birds and animals..

wallpaper1.jpg

Posted

I agree with the others that say the background might be too busy and interfere with the actual cutting..

Years ago I had a large amount of spalted maple given to me. beautiful wood and i couldn't wait to make some stuff with it.. I quickly learned that the stuff is not very good to use for fretwork type cuttings because beautiful dark streaks of the grain would drastically distract from the cutting.. and many times would blend into the cut.. especially if using a dark backer behind the piece.. Needles to say.. It's been 8 years ago that I got the spalted maple... and I still have most of it left because I just don't seem to do many projects where I can make use of the unique grain of the stuff.. Thought many times about just getting rid of it...

Posted

I use baltic birch.  It takes the paint nicely.  I used to use luan but noticed that it would starts to detach after a while.  Just went with the bb. Its more expensive but it wont ruin the piece.

I have also used foam board for larger pieces to save weight and money,  

Posted

I've used mat board and heavy poster board.  I've also used 1/16" BB veneer that I found at Michael's.  It really depends on how the piece is to be put together.  If the piece is to be confined within a frame, there may be less need to attach the backer to the cutting.  This is where I might use mat board or poster board.  If I want\need a secure glue bond between the cutting and the backer, I stick with BB ply.

Posted (edited)

My backers are very much project dependent. I want them to enhance my project not detract. For fretwork, I spend a lot of time cutting lots of details and I certainly don't want them to be lost in busy grain or background. This Jeff Zaffino design was my first intricate fretwork cut in 2006. I selected the plywood for the grain in the sky area and the plain black backer shows off all my work.  When it comes to Intarsia, anything is fair game as long as I feel it enhances what I am trying to do.  Lots of intarsia has no exposed backers except for the wall it hangs on. For my most recent piece I used a copy of the painting that it was based on, for the sky and water.  So the bottom line is do what you feel shows off your work best for you. One other thing to consider make sure that you can glue your piece to it or if it is not framed.

Train.jpg

Taken with S10.jpg

Edited by Rolf
Posted
On 3/13/2020 at 7:42 AM, Rolf said:

My backers are very much project dependent. I want them to enhance my project not detract. For fretwork, I spend a lot of time cutting lots of details and I certainly don't want them to be lost in busy grain or background. This Jeff Zaffino design was my first intricate fretwork cut in 2006. I selected the plywood for the grain in the sky area and the plain black backer shows off all my work.  When it comes to Intarsia, anything is fair game as long as I feel it enhances what I am trying to do.  Lots of intarsia has no exposed backers except for the wall it hangs on. For my most recent piece I used a copy of the painting that it was based on, for the sky and water.  So the bottom line is do what you feel shows off your work best for you. One other thing to consider make sure that you can glue your piece to it or if it is not framed.

Train.jpg

Taken with S10.jpg

Rolf, you are amazing. I love that train but the boat is fantastic. I really love it. And using the actual picture as the background is pure genius.

 

Posted (edited)

Ray, thanks for the kind comments.

The train was the first time that I entered a piece in our clubs annual wood show for judging. We had a guest judge that year, Wes Demarest, he was the photographer for Creative Woodworks and Crafts magazine.The magazine was where I found the pattern. It won my first first place ribbon. So it has a lot of meaning for me. 

I actually made it as a gift for my brother in law who is a serious train buff.

Edited by Rolf
Posted

I have done a lot of pictures and have used flat black poster board on most.  I spray the back of the picture like Rusty, but I have never thought of the staples.  No matter I have never had one fail...

I am trying some felt on the military emblems, like my avatar.  Not sure what glue work but I used Weldbond and TItebond Thick and Tacky.  Well see how it works.

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