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Other day had a customer that ordered a truck clock that I have then proceeded to tell me to make it a 1970 Chevy instead of the 1978 one they ordered, LOL... hate when customers place their order and then tell you to modify it.. Like shouldn't the custom request be done before ordering.. I'm thinking about ordering a brand new 2022 Chevy 4x4 truck but then message them after paying for it and tell them to make it a 1965 truck if it works like that.. Anyway, we worked things out.. and she sent me pictures of the truck she wanted a clock made of.. and here is what I came up with.. I'm not sure what I'm missing but I feel like some detail is missing on this somewhere.. resembles a 1970 truck but just didn't turn out ( to me) great.. just okay.. LOL Cut from Cherry using Pegas MG #3 Anyway, pick it apart.. tell me what I should have done to make it better.. BTW.. this is just dipped in Danish oil.. waiting a few days before spraying a topcoat on.. Okay, so.. I forgot I just did this custom order too.. just seen the pictures ( last 3 photos ) on my computer when opening the file for the 1970 truck.. the other set of pictures is of a 1986 truck order that I just mailed out 3 days ago.. and forgot already that I did that one too.. Old Age? LOL

Made a clock of the car I'm building.. BUT, now that I made it and the local performance shop owner that specializes in these cars is really into these little Chevy Cobalt SS Supercharged cars and has been consulting me a little on my build.. well I may just give it to him since he has helped steer me in the direction I'm going with my street / track car and has saved me a ton of money.. he could have sold me a lot of parts I really didn't need, LOL Anyway, cut from Cherry using a FD-UR #5 balde.

I changed the size, so I could use a piece of 6" wood (surfaced down to 5 1/2").

Finished another one for an employee at the thrift store

My experience with Poplar is the closer you get to the outside of the tree (bark part) the lighter the wood. When you get into the heart wood is where you get the multi colors of wood.

I saw the little word patterns that Steve Good put on his page and I thought it would be fun to see how fast I could cut it. I was bored so I printed the pattern out and went to work on it. I was not concerned about how well it was going to come out but I had some old wood given to me that my neighbor had in their garbage so planed it down and decided to see how it cut. It is 1/4 inch thick and was very rough and had a lot of paint on it. I found it easy to cut and so away I went. Due to the fact that it was not something I was going to keep or even wanted to, I got to work on it. It took me 8 minutes to cut the words and 6 minutes to cut the backer board and about one minute to spray both pieces. I had to wait about 20 minutes for the paint to dry and then I glued it and set it face down under a board and put an 8 pound weight on it for a clamp. When I took the clamp off an hour later I found out it had stuck to the paper I had it laying on and the results was ugly as part of the paper stuck to the paint that was not quite dry. Moral of story is. don't get into a rush because it is not how fast one does a project but how well. I had fun timing myself and the wood cut nicely and it was free. plus I was not interested in keeping it when I finished. I had fun challenging myself and finding out the wood will work well for some simple projects in the future. Dick heppnerguy

3/4" spruce scraps from another craft person. 10.75 wide.used wood flooring stands, oak.tryied lots of blades I,ve been saving ond paines that are used and pretty much wore out. But they are small #3 various designs, double tooth, skip tooth scroll reverse etc. Will detail some more and sand more anand paint tomorrow. Some body put a fire under my butt.

FYI - To the thread According to the Mill works shop I get my wood from, rainbow and other colored poplar, in fact any wood that has grain: The grain is often caused by the fungus and/or minerals in the ground the tree absorbs over time. The less fungus/minerals, the more blond the wood when it is cut. The closer cuts you get to the center (Heart, hence the name Heartwood) the darker it becomes.

Great idea! What I have thrown away would have been very useful for larger projects! They won't be thrown away anymore! Erv

I have just finished cutting the Mandalorian pattern by Helder Botas and have added another of his patterns (shrunk) of "the Child) in the top right cnr. Cut from 4mm Hoop Pine Ply using #3 FDUR and #2FD New Spirals. One of the Mandalorian pics has glitter applied to the backer. It is hard to photograph so I've posted a few of it to give the idea. You may have click on the pics to enlarge them so as to see the glitter. I think it adds another dimension which I like. The others are of Slim Dusty, I have cut him many times before, however this time I used a thinner frame and also matted one. Mando 370 x 310mm, Slim 300 x 225mm

Truer than true, thanks!!!

Nice work Kevin. Never go wrong with the mouse and his friends.

The problem is most likely a setting in your browser.. what setting? who knows.. I had a similar problem some years back that wouldn't allow images from off site.. (ie back in the day when everyone use a photo hosting site and linked the photo to the forum rather than uploading to the forum.. the setting in my browser would only allow images on the site I was on.. if the background link to the image was from a photo hosting site I couldn't view it, .. I'm thinking you have some similar setting issue going on..

I always like your clocks... That first one is made with a beautiful piece of wood.

FYI - Ultimately it doesn't matter for this particular project as it will be painted. Making Iggy's shelves for the puzzles to stand on. I just thought it was an interesting contrast in wood and hadn't really seen that blonde of poplar.

The problem is more often than not your browser - download a different browser and try again

This is often called "Heart wood". In fact, many of my customers request the darker and rainbow colored poplar. I have to disagree with the puzzles looking better with the blond. The interesting thing about the rainbow poplars is the contrast and warmth the colors give the puzzles. Some of the heartwoods we have, we actually charge a premium for products made from that.

very nice

Thanks so much, Paul. That means a lot coming from you. The upper arm on the WEN I'm using couldn't be altered. The frame itself is a fixed solid piece that runs from the lower arm, along the back, and then along the upper arm. Another issue I had with this piece is the size. The table is rather small and I had to set up a table to hold one end of the piece while cutting. I used one of those old type stools with the screw seat and adjusted it up to the appropriate height. I'd have to swing the piece off the stool to lower one end so I could feed the blade. My little WEN does a pretty good job and I would highly recommend it for someone wanting to dabble in scrolling to see if it is something they would enjoy. For just over $100, it can hardly be beat. The only problems I've had is the blade clamps which I now buy a half dozen at a time, and the blower bellows which splits after about 10 hours of use. I replaced it once before going to a fish tank bubbler. WEN also offers a 2-year warranty which I consider pretty good for an entry level saw. My goal is to purchase either a Pegas or Seyco. If I could get my money right I would probably go with that new 30-inch Pegas... although I like the larger table on the Seyco. I encourage you to give this pattern a go. Yes, it's challenging, but very rewarding. Like I mentioned, it took me about 40-hours including the frame but that was on my WEN. I'm sure someone on a saw with an arm that would lift would be much faster switching holes and it would take less time. There were only about 3 or 4 areas that I though were vulnerable so I just placed a piece of blue tape over the areas and continued cutting.

Thanks Rodney, This is the 1st time I have tried this method of framing and I have to agree with you. I like it a lot.

IF you ever get a chance, go to Spillville, Iowa and tour the Bily (Bee Lee) clocks. 2 farmers used their mother's sewing machine to scroll with. Henry Ford offered them 1 million dollars for just one clock, back when a million was a lot of money. They turned him down. Donated the entire set to the City of Spillville, with the stipulation that the set never be divided. Spent most of my life living about 10 miles from their farm, but never knew of them until later. The building where the clocks are displayed was previouslly the home of Anton Dvorak, composer of The Old Word Symphony.

Correct, it is Red Oak. When I started scrolling a few years back, it seemed like a good choice since the big box stores all carried it. I decided I liked how it looks and now I use it for everything except Intarsia

Had to look at this again. I'm still pretty amazed by it.. I have the pattern and would love to try it. Not only is this a testament to Rodney's skills but also says a lot for the little Wen scroll saw I think he uses. I wonder if one of the devices that you can buy for the DeWalt, to hold the upper arm up could be adapted to the WEN or something simular easily made could be used.. Before I got an aftermarket device for the DeWalt I had, I had a special block of wood that I stuck under the arm when I wanted it to stay up.

Nice work Kevin, will be lots of smiles and happy folks with those. Take all the breaks you need, remember you are still recovering. If you can cut three letters, then need a break, that’s what you need to do. Hopefully, each day with doing some work, will make you a little stronger.

Hi from Barbara This is to share as you guys are fully to blame for getting me so addicted to this hobby. This is not complaint it is in recognition of your input. My scroll saw has a mate. My husband has got me a second had Ryobi scroll saw. From a man who has cared for it and stopped using it. It had no bits for the pinless blades. To my excitement the hardware store near us has been changing and added a more available tools and service and got me the goodies. So eager was the Ryobi guy. It is one of our best choices and today i am going to try one of your practice sheets and cut as I told hubby I had a shock when trying to use it. I jumped and turned it off as I was so sacred I had broken it but it was that I was used to a different feel with the other one. I am keeping old faithful. BEST BIRTHDAY GIFT EVER FROM HUBBY.

Happy Birthday Barbara, I have a Ryobi as a second saw...

Beautiful pieces, John. I do like the one where you added a little backer border beyond the cut piece. Seems to draw the eye to the black within the picture a little better. Great job on all of them however.

Kevin, those are AMAZING!

Congrats on the new addition, the saw of course, and have a great time getting use to the new item! By the way if I am sure about this, one of the top pattern designers I believe also lives there, Sue Mey, of Scroll Saw Artist, look up her designs and get in touch with her. Erv

I think you have the "black out Scrappile" option set on your computer..

Here is my go at painters points. Not as sophisticated as yours, but they work.

nice work

very nice work

Condolences. cutting her portrait is a fine way to grieve

Doin fine Kevin

nice cutting although I couldn't make out the glitter. Excellent frames

On a roll Kevin. You can't keep a good man down.

They look terrific, you are getting your mojo back. They will bring smiles to all those faces. Marg

You're welcome, I'll make sure it doesn't get overly hot for you....lol - keep up the great work Kev.

I like to look for the colorful ones.

Awesome idea, now to gather up can caps.. thanks for sharing Chris

One mans junk is another mans high quality plastic

I WISH I COULD HELP but, I am computer challenged. I DO have the ON-OFF switch mastered though. JAN

Thank you for the idea

very nice work

very nice idea

A great use of junk and a helping hand to boot.

Here's what John posted. I hope this works for you. From 1850 to 1920 scroll sawing was very popular in America. Many women and children did scrolling to supplement their household income. Some of these scroll saw projects were somewhat crude. If you go to an antique shop you will find many of these charming projects, things like wall boxes, mirrors, and clocks. We know that scrolling was very popular back then because of records showing the number of scroll saw blade sales at the time. Think about it, back then most folks worked 10 hours a day, 6 days a week, had NO electricity, and scroll sawed at nights with only a kerosene lamp to see by. Many times the only thin wood they could find was from cigar boxes. Many original clocks in museums still have the original cigar box labels visible inside the clock. Talk about the thrifty "Yankee." It is interesting to note that there are almost NO original paper patterns left today. There were no copiers around to make copies like today. If you ever see an original paper pattern you will find instructions to "mix up flour and water into a pasty mix and glue the pattern to the wood". Of course, the pattern was destroyed as you cut out the project. During those years, there were many companies supplying scroll saw patterns. H.L. Wild of New York City was one of the major pattern suppliers from 1880 to 1920. Many of these beautiful pattern designs are still being sold today. Many of these beautiful original designs have been re-designed and re-drawn by Dirk Boleman and me in order to preserve and record these beautiful designs for folks to enjoy for years to come. In 1935 Delta come out with a heavy cast iron rigid-arm "jig" saw. Many of us grew up in the 40's and 50's with one of these in every wood shop class in America. Those of us back then, surely remember the big solid green (or gray) jig saw sitting in every "manual arts" (woodworking) class in the country. These saws DID have a perfect up and down motion but were not really a step forward. It left a very rough cutting edge and you had to spend more time sanding the edges than you did cutting it out. Back in the early 40's before the war, everyone was making things with this jig saw. Things like tie racks, pipe holders, yard signs, and more. Seems everyone had a saw and wanted to show off. Many of these projects were very "Tacky." There were all kinds of lawn ornaments. I can remember a very tacky bird that was about 5 feet tall. It had two long skinny dowel legs and the head was mounted on a 3/4" wide spring so it bobbed up and down in the breeze it was the forerunner of the pink flamingos we see today. Those projects were proudly made and displayed as projects are today. Back in the late 30's and folks made these wonderful items to sell and help offset their incomes like they did in 1880. By the early 50's scroll sawing pretty much died. Except for high school projects, the jig saw vanished and was forgotten. (However, they do make great boat anchors) Many people think scroll sawing restarted again in 1974 when Helmut Able of West Germany was granted an international patent for a "new" scroll saw. It is interesting to note, this new saw looks very much like the 1880 "New Rodgers" scroll saw. Some think scrolling began when Hanns Derke of Advanced Machinery went to Germany and set up an exclusive agreement to sell Hegner saws in the United States. Hegner Scroll saws were introduced to America at the Excellence in Woodworking show in New York in 1980. These little orange saws caught on very quickly. One Midwest machinery dealer went from selling 4 or 5 old-style scroll saws a year to selling over 100 Hegner scroll saws a year. One of the most successful salesperson for Hegner was Joanne Lockwood of California. She became the most successful and respected scroll saw educator and scroll saw author of many wonderful books on scrolling. Joanne conducted many of the very first scroll saw classes in the country. Around that same time, a scroll saw demonstrator named Ron Posten came on the scene for Hegner. Ron was a genius when it came to scroll saw demos. I had the pleasure to watch him work the crowd many times. One of his little demos was to "build a house by conscious". He would start off with a blank piece of wood and ask the crowd around him what kind of a house are we going to build....one story or two? He would start to cut out the house and ask, "Does the house have a porch"? He would add one if the crowd wanted one. "Does the roof have a chimney, how about a mailbox out front.....is the mailbox open or closed"? etc., etc., on and on he would go till the "house by conscious" was built. He would cut out the house as the crowd voted along...absolutely amazing! A joy to watch! And of course, there was his 3-D reindeer...who cannot forget his reindeer? Not far behind in 1982 was Chris Rice of RBI and the Hawk saws. The company getting its name from birds of prey. (Falcon, Eagle, Condor, and Hawk) They were the first scroll saws to be made in America. The and the `RB in the company name are from the company's owner, R.B. Rice. The 20" Hawk soon became the best seller and RBI was selling 3000 saws a year with over 100,000 sold to date. Chris sold the company in 2007 to Hawk Woodworking Tools. The company was sold again in 2009 to Bushton Manufacturing who continues manufacturing and selling the Hawk line to this day. In 1986, Tom Sommerville came up with a unique mechanical way to move a scrollsaw blade up and down. He developed and introduced a scroll saw under the trade name of Excalibur. It was made in Canada. Today, Excalibur is sold by one of our members, Ray and Cindy Seymore of SEYCO of Rockwall, Texas. Throughout the years, many less-expensive scroll saw brands have been introduced. The above is the actual history of scrolling in America, below are MY recollections of how I saw scrolling developing in America. Back in 1988, I had written 10 or 12 woodworking books on general woodworking. Many were how to reproduce antiques. I was a teacher back then and had the summers off so, in order to help promote my books I went to many woodworking shows throughout the country. My books were published by some of the top publishing companies in the country at the time. It seemed that every show I went to, I ran into a friendly, young publisher by the name of Alan Giagoncavo. I found him upbeat and cheerful and we often spent time together at the shows. I was always very impressed with his efforts, at that time. As I remember, he had only 7 or 8 books that his little company had published. The books were out there for sale, show after show....he never gave up! Alan was the publisher of a little-known book company located in the small town of East Petersburg, Penn. called, Fox Chapel. He often suggested that I do a book with Fox. I can remember thinking, yea, I am going to do a book with "this" little publishing company?...I don't think so! At this time, I was writing articles for various wood-working magazines, such AMERICAN WOODWORKER, POPULAR WOODWORKING, and WOOD. Robert Becker, editor for a small publishing company located in New Jersey approached me and asked me if I would do articles for them. I agreed but, in reality, I really hated to because this magazine was simply terrible! It was printed on thin dull paper and all the photography was very grainy and the woodworking projects were simple and tacky. I hate to say it, but it was not a very good magazine at all. (Forgive me Bob) The wonderful and talented folks there at the publishing company more than made up for the poor quality of the magazine. It was called CREATIVE WOODWORKS AND CRAFTS. At many of the woodworking shows I set up at, I saw a little orange saw sitting all by itself in the center of an open booth. It was plugged in and had a small piece of pine wood sitting on the table with no one in sight. I would pass the saw thinking, what can you do with such a silly little saw with that tiny blade? Around that time, many events seemed to come together all at the same time. As I remember, James Riddle had a collection of original scroll saw clocks owned by his father. He hired a young talented designer by the name of Dirk Boelman to draw up patterns so these original clock patterns could be re-produced by scrollers of today. Jim's Wildwood Designs Company was the first company in America to develop and sell scrollsaw patterns at that time. These patterns were very high-end patterns, for only the very skilled scroller. Jim did not advertise very much, as I did not become aware of him for a few years. In fact, I copied the same famous and popular Chimes of Normandy clock that Jim and Dirk did a few years earlier. Years later Dirk and Karen went into business by themselves and were very successful. Most of the most advanced scroll saw patterns were developed by Dirk. Sadly we lost Dirk last year, 2014. Pat Spielman along with his wife Patricia came out with a little scroll saw handbook. It was one of the very first books to really show what scrolling was and how to use it. The book was a leader for many years. Pat went on to publish and to coauthor many other scrollsaw books. Around this time Rick and Karen Longabaugh from Washington came up with a unique folding basket and they developed and sold many wonderful basket designs. They called their company Berry Basket. Starting around 1995, Dale Whisler of Stephens, Penn. started to have local scroll saw picnics every year. Dale did scroll saw demonstrations all over the area and was considered a scroll saw expert. Folks came to Dale for help with their scroll saw problems and projects. About 35 to 40 local scrollers came to his picnics each year. Dale held his picnics in an open pasture with cows all around the field. . Remember, this was back before scroll saw books, scroll saw magazines and very few scroll saw patterns were available. Joann Lockwood had just come out with a few of the only books on scrolling at that time. Dirk Boelman had a few advanced scroll saw patterns thru Wildwood Designs for sale but that was about it. After one of Dale's picnics in 1997, a group of dedicated scrollers got together and met well into the night in the middle of a cow pasture. They had a meeting to investigate the feasibility of setting up a national scroll saw club. A committee was formed with Joe Diveley, Jack Firse, Clyde Fish, Dan Haus, Patti Henes, Dave Klim-chuck, Joanie West, Dale Whisler, and others to check things out. SAW was on its way! The following year, in April 1998, at a scroll saw picnic put on by Joe Diveley at Pontiac, Illinois, the Scroll Saw Association of the World was officially formed. I had attended a few of these picnics and enjoyed them very much. The excitement, the enthusiasm was electrifying! I couldn't wait till the next one! I told Robert Becker, editor of a woodworking magazine, about the picnics and all the excitement it created. The very next picnic, he was there! Bob is amazing, He could always see a good thing 1000 miles away. He and I decided to put two or three scroll saw projects in the very next issue of CWWC to see the response. We did and scrolling as we know it today took off! CWWC became the very best scroll saw magazines on the market at the time and it was all due to Bob's intuition. The very first issue of the SAWDUST newsletter was printed in April 1998. The very first SAW chapter was started in May 1998 and Mike Moorlach was in charge. They were called the Sioux Scrollers. The first Board of Directors meeting was conducted in December that same year. The BOD was made up of 3 volunteers, Steve Landry, Dave Klimchuck, and Janice Manuel. Around 1995 or so, there were three small national scroll saw newsletters in print. I had one, Dirk came right after, and Pat started his. Pat's newsletter was later turned into SCROLLSAW WOODWORKING AND CRAFTS, after purchased by Alan Giagoncavo from, you guessed it, Fox Publishers. Today that "young publisher with 7 or 8 books "is now the largest book/magazine company in the country. Alan deserves every bit of his success he surely earned it....he is very special and just an amazing person! May 1999, SAW started right of with over 500 active members. Folks hear about SAW from newsletters published by Dirk Boelman, Pat Spelman, me, and help from RBI and Hegner scroll saw companies. A pivotal event for SAW was at the 2000 SAW Conference, put on by Joanie West at Cedar Rapids, Iowa was the official notification of our 501 status. This was a three-year effort by John Firse. Today, Saw is run by a 5 member Board of Directors who adopt rules and regulations and manage SAW. The president, executive officer supervise and controls all business and affairs of SAW. Other officers are Vice President, Secretary, and Treasurer. SAW has twelve very active local chapters throughout the country and eleven Ambassador Programs to help scrollers with any problems they might have. When scrolling first got started most projects were just flat one-piece projects. Later, many unique designers came up with all kind of interesting scroll saw projects. Diana Thompson developed all kinds of 3-D projects. This is NOT easy to do, I tried many times myself and ended up with two-headed animals with 6 legs. Later, I thought of the woven basket designs that give the illusion of actually being woven. I could not write a history about scrolling in America without acknowledging the following folks who contributed so much. Pat and Ray Lupori who worked so hard to get SAW started, Rick Hutcheson, an expert on antique scroll saws of all kinds, Mike Moorlach, the Flying Dutchman, Lucille Brooke who loves scrolling, Barbara Peters of PS WOOD, Ray Wilckens, Ernie Lang, Tom Sevy, and so many others. Today, scrolling is still very popular and has branched off into other areas such as fretwork, marquetry, intarsia, and 3D. Back when Dirk, Rick, and I (and others) started designing, we did it all by hand, with pen and ink on vellum. Today, with the amazing computer drawing programs, anyone can be a designer. Things have really changed over the past few years, you can find all kinds of scrollsaw information such as tips, scroll-saw lessons, and patterns at all levels for sale, on all the various websites. Truly amazing! Heaven knows where scrolling will go from here....time will tell but it still will be fun and exciting.

Well, Dan, I have a similar problem on the other side of the spectrum: I have a Windows PC and can't see any of the .MOV extensions which I believe is an Apple extension. As much as I would enjoy watching the links in those posts, I decided to just ignore them. I will try to repost John's post and you can see if you can read it. It is long, but enjoyable.

Actually my head hurts from having an idea that was not placed there by the wife.